INTERVIEW – In Conversation with Jeff Fuchs, The Tea Explorer (Part 1)

Interview jeffJeff Fuchs is an award winning Himalayan tea explorer, entrepreneur, author, mountaineer, ambassador of The Ancient Tea Horse Road, ambassador of The North Face, Asia traveller, documentarian and ‘the pursuer’ of rare teas grown in the ancient, remotest routes on the planet. In an exclusive conversation with LoveforTea Jeff talks about his intimate relationship between mountains, indigenous cultures and tea and the experiences that have fuelled his purpose to search beyond. Recently named one of the top ten “tea influencers” in the world, Jeff’s most awaited work with award-winning filmmaker Andrew Gregg,“The Tea Explorer”, that experts are calling the “documentary of the year” airs on CBC documentary channel, on 23rd of July, at 9:00 pm EST.

1. Jeff, tell us about your journey from an entrepreneur to an award-winning explorer of far-away lands. Where, when and how did it all start?
JF: Not sure I can point to a beginning point so much as a pathway that has continually led me from one mountain world to another, from one character to another, from one tale to another…and of course from one sip to another. Mountains and tea have long held me and I cannot imagine being without or away from them for any amount of time. My father once said to me when in my mid-teens that he didn’t expect me to do anything I didn’t care about, and these words coming from an ex-professor to my ears at a very impactful time in my life lit up the fires even more and allowed me to wonder about a life of wandering and following paths.

The idea of exploring the trade routes and trying to find the last travellers and traders of these routes was important to give some context and lifeblood to their vital influence on culture, economics and the world of faith. It was like a kind of karmic circle where each thing led me back to the other. These journeys that traders and pilgrims took, required weeks and months and the characters along the routes have in many cases maintained their oral narratives and tales of the life. From my perspective documenting these tales and characters (which remain one of the least told aspects of the Himalayas) is vital to understand the mountains themselves.

2. You’ve explored the rare routes in China, Tibet, Nepal and India. How did you decide the destinations, routes and manage to travel to some of the most undocumented routes?

JF: There is a wonderful saying on the Tibetan Plateau about travel and life, “There are no straight lines through the mountains”. This sums up my motivation: to participate in this movement and record how life is/was lived in such landscapes and spaces. Mountains are nature’s editors and through them, one must pass – and survive – in order to thrive. My wish has always been to track as many of these great routes as I can to access the stories, the precious people and the landscapes and spirit of the heights. What struck me was how little was written or taken down about the old trade routes of salt and pashmina and tea, and so interviewing people and finding them became the journey itself. I realized when interviewing these wonderful characters that they too needed documenting. Once there was a vision to seek out these routes, it was a question of engaging with the “ancients”, the remaining traders and muleteers and travellers who remember still when the only way to move was by foot.

With deciding on the routes, came through discussions with the elders. Once recalling their journeys, they would point out another route that they had travelled hauling yet another item. I remember one old grizzled trader in Tibet explaining that he did seasonal work and often shifted what it was that he traded and sold. “One year I only traded salt and the next salt and tea. Then I traded pashmina and tea because of the value. But always tea was the most valued of all commodities”.

3. What specific routes have you explored so far? Please share some tea experiences that you’ve had which are memorable.
JF: One of the beautiful aspects of the trade routes is that there was seldom a set finish point. Lifetimes would be needed to find the ultimate destinations of every wandering trade…and it seems fitting that way. These routes were in large part only found out about through repeated visits I made to interview elders or old traders.

The Tea Horse Road (known to the Tibetans as Gya’lam, or ‘wide road’), has long occupied me with its various strands. Some of these strands completely leave the main trunk and act as access routes for valleys, regions and even different cultural hubs. A decade was spent travelling as many of the passages of it as I could track down. Another of the great journeys I was part of was a 40 days trek following a long forgotten salt route in southern Qinghai (Amdo) Province that was used by nomads. It was simply called ‘Tsa’lam’ or Salt Road, and though there were many such routes, this one was particular because of two vital elements. It circumnavigated the sacred Amye Maqin mountain range and thus was a also an important pilgrimage route, and secondly, it cut through the lands of the fearsome Golok nomads, who, even for the hearty and strong were a risky threat to risk encountering.

Most recently there was a trade route I followed that hauled tea through the magnificent kingdom of Mustang along the Nepal-Tibet border. These trade routes were lifelines and news-pipelines rolled into one. Post, migrants, villains, armies, pilgrims and commodities all followed these paths, while culture and traditions, as well as DNA, all found their way from leagues away. Nothing though would have any colour or vibrance without the elders and their oral narratives and memories of such journeys.

4. Tell us about your most awaited documentary ‘The Tea Explorer’. What do you plan to share through your film?
JF: The film is peek into the journey tea took from the tea bastions of southern Yunnan province onto the Tibetan Plateau – a journey that must rank as one of the great underrated adventures of the world with its passage through the Himalayas and beyond.

It also delves a little into some of the magnificent characters of the Tea Horse Road. The film too seeks to shed some deserved light upon the odysseys that tea was part of on the overland trade routes. The tea that travelled by schooner from India and China to western Europe is relatively known, but the great routes through the skies and the endeavour necessary to make those journeys are the stuff of legends. I suppose the film is immersed in tea’s origins, part re-tredding along the routes themselves and part mountain lore of one of the great unknown routes of history with a delicious little bit of time with an old trader.

5. Tell us about your book ‘The Ancient Tea Horse Road’. What experiences inspired you to write about the oldest trade route in the world?
JF: The book is a kind of combination of journaling and a leap back into history of this great trade route. One huge driver for the book was to introduce the Tea Horse Road to a wider audience, and the vital role it played in building not only the Himalayas but to Asia broadly.

The book is largely based on my own 7.5 month journey along the route and the characters who filled my ears and heart with their tales. Woven into this narrative is some of the experiences with the origins of all tea, Yunnan. Ancient tea tree forests, wonderful tea-stained and tea-fueler characters that served and preserve so much of the tea culture….all of them fill the book.

Lastly, the journey and book focus on the last generation of traders that we could track down and speak with. Their memories are the lifeblood of the route and without their words, and thoughts there would be very little flavour to the stories. A book of mountains, memories, and a green leaf.

6. Tell us about your recent exploration in Nepal and what teas have you brought back home this time.
JF: Journey was along an old trade route along Mustang’s eastern flank. Extraordinary isolation and a space very much consistent with so many of the landscapes along the trade routes, with nature ruling with her moods.

One of the pleasures of the journey was based on a promise I had made to an old tea trader two years previous. I had me this man, Konga, when we were filming the documentary and I loved his spirit and passion for the days of trade. We ended up filming him speaking of his past days of trading and of the risks of travel along these routes through the sky. He became like a kind of uncle to me. When our trek finished in northern Mustang I tracked him down and we had time for tea, to reminisce and of course to present him with a brick of tea I had brought from China. It was a very warm reunion for me because he personified so much of what made the traders and muleteers special.

I brought back some Jun Chiyabari tea, which is wonderful….though I’m a happy slave to my raw green Puerhs still.

7. How do you prepare yourself to travel at such high altitude?
JF: These routes are all about the land and the precious souls who live upon them and within them every single day. Preparations are wonderful segments of time. Training is usually an enjoyable thing with weighted packs and ascents with the odd bit of up hill sprints. Ascending anytime is something delicious as it forces the tendons and lungs into a kind of enjoyable stress.

Living well is a training of sorts and I don’t really change too much before a trip other than to make sure the tendons and joints are stretched well and mobile with isometric exercises and long easy stretch sessions in quiet places. There are some visualization exercises that I’ve started that I’m enjoying as well as much for to prepare the mind for long slogs.

Most of my journeys are around a month or more so what one needs is an ability to “enjoy the experience” as a whole. Living 24/7, where one is sleeping, eating, day-in-day-out requires some passion and love of elements rather than just being outside for temporary bursts.

A lot of Tibetans refer to the idea that they see the mountains not necessarily as barriers and walls and challenges but as guardians and corridors. They don’t force themselves on or through the mountains and I try to be very mindful of that philosophy both when in the mountains and when in preparations for them.

Interview continued in Part-2

MingCha Tea House – Fun with Kids, Tea & Family

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Most of us can relate to the statement “there is not much to do outdoors” or “why can’t I stay in and play my Xbox or PS3?” Sounds like a familiar statement kids use so profusely. It is true, while technology has provided some thing for every consumer of all age groups in terms of entertainment, it has led to a sense of detachment in terms of experiencing the natural environment and human interaction. One may be in a room of friends but would prefer the company of an ipad , laptop or a phone. With this in mind, parents and teachers have been taking initiatives in focusing on activities which help children interact.

So wanting to carry forward this initiative we thought, what would be a commendable and fun filled activity for children and adults to do together? Being avid tea lovers the idea flowed easily and quickly – of course a tea tasting! Kids are early adapters and this would certainly provide as an interactive activity to indulge them into exploring not only their senses, but giving families a much deserved fulfilled time together, from learning to interaction.

While exploring the idea of tea tasting for kids, MingCha Tea House in Hong Kong came to our minds. In an exclusive conversation with Love for Tea, Vivian Mak, founder of MingCha, shares her mission and vision, which is to allow people from every walks of life to be able to enjoy the true taste of tea – including kids. Based on the concept of togetherness, family interactivity, helping even the young ones explore their sensory palate while learning the art of tea, Vivian has successfully introduced workshops for kids in tea. These are free for children up to 11 years of age and are taught by the tea masters of the MingCha Tea House. And yes, adults are also welcome to attend or chaperone at the workshops, turning this into fun interactive experience for an entire family.

It is said as we grow older we cultivate our likes and dislikes based on external influences. Vivian believes, children being expressive and untarnished in their thoughts on what they like and dislike are more perceptive and true to their senses. However, given an opportunity to taste, smell, bite, sniff and experience tea from a creative and educational approach at a tea tasting, children surely provide a genuine feedback for our comprehension but may also create a platform for future careers for themselves too. Tea tastings are certainly proving to be a good blend of fun, interaction with nature and education which are growing to spark the interest of many little kids who are enthusiastically trying to put their sensory skills to test.

With a fine success and outreach to the world of tea lovers, Vivian of the MingCha Tea House continues to strive to inculcate this deep appreciation for tea in every age group. We at Love for Tea surely commend the initiative as we do believe tea can not only heal your body (internally and externally) but your environment, and it tastes heavenly too.

Next time you plan a family activity, incorporate your little ones in a session of tea tasting and wait to be pleasantly surprised. Don’t take our word on it, give it a try . Who knows you may discover a hidden appreciation or skills of a Tea Sommelier within your own family.

A cup of tea brings the world together and bridges the age gap between kids and adults through a mutual love for tea. A family that tastes tea together, most certainly has fun together. And that’s a promise!

TEA TALES – Silver Yin Hu Tea Wares by Master Zhao

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In olden times, Chinese royalties used to collect tea wares which commemorated important occasions. These exquisite pieces were cherished family possessions and were passed down through generations. The traditional techniques and methods used in those days in creating these silver tea wares have left a legacy and the value of this art form has remained unchanged.

Master Zhao is a rare window to the past, culture and heritage of China, which he displays intricately with versatility in the 999 silver Yin Hu teapots and tea wares he crafts. The use of metals such as silver, gold etc as principal components to craft tea wares reflect the aristocratic lifestyle, and the cultural and philosophical ideas of the times. Master Zhao’s masterpieces range between $500 – $4000 and are recommended for serious art lovers and collectors. I would compare these pieces of art to the rare diamonds we can find, for if they weren’t unique they would be free as pebbles and a dime a dozen. 

Brand – Your silver, your story
Website – Amazon
Facebook – Silver Teapot

Tea-Time Stories by Marta Colomer

Tutticonfetti was born in early 2012 with little clothing and uncertain destination, very simple characters, with a limited color gamut and a vintage touch. We love their portrayal of absurd situations, but behind each one of them there is a reflection or dialogue that tries to unravel the ‘what’ and ‘why’ of some things and the absurdity of others with a cup of tea.

TEA TALES – Timeless Tea Cup And Saucer

Harish Patel Silver Teacup and Saucer
Oomersi Mawji (O.M.), ca. 1860, Bhuj, Kutch, India
Sterling Silver

Dimensions
Saucer, 1 in. h x 5 3/8 in. diam. (2.54 x 13.65 cm)
Cup 2 5/8 in. h x 4 in. l x 3 ¼ in. diam. (6.7 cm tall x 10.16 long x 8.25 diam)
Set Weight: 9 oz. (255 grams)

This exquisite silver piece can only lead one to try to imagine it’s romantic history. The two pieces are a matched teacup and saucer, by the renowned Kutch silversmith Oomersi Mawji, and bearing his stylized coriander-leaves-and-flowers motif. Each piece is inscribed “E.B. Lover,” the cup on its side, emblazoned on a ribbon; the saucer around its center, where the cup would rest.

But Oomersi Mawji, who certainly made many teapots, knew well that a hot liquid in a silver cup would render the cup handle impossible to be held in one’s fingers. It appears then that the teacup and saucer was perhaps never intended for holding tea, but that the form was rather only fanciful, perhaps meant to hold a small bouquet of flowers on a breakfast tray, or to convey some particular allusion. And what of the inscription, “E. B. Lover”? Is it simply the name of someone it was presented to as a gift? Or does “lover “ signify something else altogether? Time has its secrets.

Credits:
Harish K. Patel

Harish K. Patel has been collecting Indian classical art for more than twenty years. His silver collection from India dates from the Raj Period, some of it made by local Indian silversmiths, some by British Colonials. The collection includes the work of Orr and Hamilton, as well as Oomersi Mawji, Dass & Dutt, and others, in the regions of Kutch, Chennai, Lucknow, Kolkata, Kashmir, and Rajasthan.